1,071 Royalty-Free Audio Tracks for "Pitch Bend"

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

This is a sound i made in audition with the use of pitch bending and some muddling techniques. It was also crafted from:. Http://www. Freesound. Org/people/the_yura/sounds/211527/.

I made this sound with my voice and a little pitch bending. Have fun!.

*Young temperament widest major third on C. = 407 cents.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

*Bohlen-Pierce clarinet unison on C = C. Just: 1/1 = 0 cents. MIDI pitch bend: 0,64

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

3 steps in just A12 on middle C: 30/23 = F = 459.99 cents.

ii-V-I turnaround in C, in four-part harmony.

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

*Tridecimal 5/4 tone on C = D♯. Just: 15:13 = 247.74 cents. Limit: 13-limit.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

*Wolf fifth on C = G- (Ben Johnston's notation). 40:27 = 680.45 cents. Limit: 5-limit.

Me spraying a bug. No bugs were harmed! applied pitch bend, tempo and noise reduction. Recorded on conexant smart audio and at2020 usb mic, processed with audacity.

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

*Tridecimal minor third on C = E↓♭. Just: 13:11 = 289.21 cents. Limit: 13-limit.

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.

*Bohlen-Pierce one step on C = C♯/D♭. 31/13 = 146.30 cents. MIDI pitch bend: 104,78

Just augmented sixth in just C scale: A♭ and F♯. 225:128 = 976.54 cents.

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

7 steps in just A12 on middle C: 21/11 = C↓+ = 1119.46 cents.

ii-V-I turnaround in C, in four-part harmony.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

*Undecimal neutral second comma on C. 121:120 = 14.37 cents. Limit: 11-limit.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

*Just diminished fifth on C = G♭ (Ben Johnston's notation). 36:25 = 631.28 cents. Limit: 5-limit.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

ii-V-I turnaround in C, in four-part harmony.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.